Hazen Bell - Pro Model Oysi Chassis. “We are happy to announce the Hazen Bell Pro Model Oysi Chassis in Grey colorway featuring laser etched visuals representing the Beehive State, where Hazen honed his impressive skill set street skating with @UTAHbladescene.

Hazen Bell has put together a section which includes some unique and treacherous spots around Seattle. Though underscored with a soundtrack eliciting a very chill vibe, Haze deceptively delivers some absolute bangers with relaxed and composed style (filmed and edited by Jake Dotson).

Available In all wheel base lengths 281mm, 269mm, and 257mm. Visit Oysius.com.

A video by Red Eye Wheel Co. “Jake Dotson coming through with another part while the rest of the team is still filming… You can’t match the man’s work ethic, it’s unreal. Thanks Jake for inspiring us”. Filming: Josiah Blee, Neil Christensen and JT Truitt. Editing: Jake Dotson. Music: “Crawl” by Shannon and the Clams.

Ilia Savosin traded his clown outfit for a more fancy one, with the power of the mighty dollar. Enjoy his new adventures in Phuket, Thailand. Graphics by GV Mag.

Kaltik - Ilia Savosin Pro Frame

Introducing the Yandriel Silverio Signature Model Balance 2 Frame. We’re thrilled to add Yandriel to the pro team after years impressing us all as an Am. He also has the best mustache in the game. Yandriel’s Balance 2 frame is dark green with black axles and a 2 color print designed by Clara Joyce.

Filmed by: Dylan Kingsolver, Alec Heredia, Gabe Talamantes, Jared Reddrick, John Gantz Stefan Brandow, Hawke Trackler & Luis Sotelo. Edited by Yandriel Silverio.

Photo: Dylan Kingsolver. Visit 5050frames.com.

Yuto Goto and the Ambassadors in New York for his 4th signature pro skate. Filmed and edited by Marco Valera. Futuring: Yuto Goto, Francesco Famà, Lauric Picard and Zack Pollak.

Namikaze: 波風 (なみかぜ) - wind and waves.

Enjoy a few moments with Jake Dotson as he takes advantage of some dryer weather in the PNW. Filmed by Josiah Blee, Neil Christenson, and James Truitt for Razors. Music: “WAR” by Norman Sann.